The latest in a flurry of documentaries about Ukrainians making art amid Russia’s invasion, David Gutnik’s film examines humanity’s ability to keep pursuing self-actualization when our lives are threatened.

Spoilers: The final-ish chapter in the freewheeling trilogy wants to have its post-credits scene cake and eat it, too. No more! We’re full up!

With several documentary groups releasing their own shortlists, we now can pinpoint which films are ahead in the Best Documentary Feature Oscar race.

Kodi Smit-McPhee’s Nicholas has now entered the chat.

A survey of the immigrant New Wave music scene in the U.S. after the Vietnam War leads filmmaker Elizabeth Ai to make startling discoveries about her own past.

After Dark: Directed by Mark Herrier…for the most part…this troubled treasure about a group of film students putting on a festival at a condemned theater is essential.

At IndieWire’s Future of Filmmaking Summit November 2, Cineverse executives Brandon Hill and Yolanda Macias will explain how they turned Damien Leone’s microbudget slasher franchise into major I.P.

IndieWire’s “Screen Talk” co-hosts Anne Thompson and Ryan Lattanzio have seen “Gladiator II” — and discuss it here a week after the fanboy-level roar out of last week’s first screenings.

Luca Guadagnino’s plans to make a new version of Bret Easton Ellis’ novel would come 25 years after the first. It faces some unique challenges.

AFI Fest: It’s a “Forrest Gump” reunion in more ways than one, as Eric Roth co-writes an earnest Zemeckis experiment that spans many lifetimes on the same spot on Earth.