![Laverne Cox’s Norman Lear-Produced ‘Clean Slate’ Has Beautiful Trans Representation but Muted Comedy: TV Review Laverne Cox’s Norman Lear-Produced ‘Clean Slate’ Has Beautiful Trans Representation but Muted Comedy: TV Review](https://clydevisionfilms.com/wp-content/uploads/2025/02/CLSL_S1_FG_00052517_Still062_f_3000-q6tyho-scaled.jpeg)
Laverne Cox’s Norman Lear-Produced ‘Clean Slate’ Has Beautiful Trans Representation but Muted Comedy: TV Review
![Laverne Cox’s Norman Lear-Produced ‘Clean Slate’ Has Beautiful Trans Representation but Muted Comedy: TV Review Laverne Cox’s Norman Lear-Produced ‘Clean Slate’ Has Beautiful Trans Representation but Muted Comedy: TV Review](https://i0.wp.com/clydevisionfilms.com/wp-content/uploads/2025/02/CLSL_S1_FG_00052517_Still062_f_3000-q6tyho-scaled.jpeg?resize=2560%2C1276&ssl=1)
The late Norman Lear’s career was defined by centering underrepresented stories rarely seen on television, and “Clean Slate,” one of Lear’s final projects, continues that tradition. The show follows father/daughter duo Harry (George Wallace) and Desiree Slate (Laverne Cox), who reconnect after being estranged for over two decades. Created by Wallace, Cox and Dan Ewen, […]