Though not remotely “Joker”-bad, the third “Venom” adds to theaters’ worries.

Some of Garfield’s selections include works from British filmmakers Mike Leigh and Ken Loach, as well as the Japanese ramen comedy “Tampopo,” which his father tried to introduce him to at a young age.

Crowd Second Assistant Director Adam Foster tells IndieWire about paying tribute to actual film and TV crew in casting the HBO series.

AFI Fest: Feathers McGraw seeks revenge against Wallace and Gromit in their second feature-length film, which hails from co-directors Nick Park and Merlin Crossingham.

California Governor Gavin Newsom and Los Angeles Mayor Karen Bass unveiled a proposal that would make California competitive with major film hubs like New York and Georgia.

Hannah Bos and Paul Thureen’s final season makes a sweet, striking case for choosing light over dark, hope over cynicism, and community over greed, whenever humanly possible.

Creator Lauren LeFranc on flipping genre conventions: “In crime dramas many men sleep with women and then discard them, and that to me felt relevant for Sofia, she’s going to use Rush.”

The latest in a flurry of documentaries about Ukrainians making art amid Russia’s invasion, David Gutnik’s film examines humanity’s ability to keep pursuing self-actualization when our lives are threatened.

Spoilers: The final-ish chapter in the freewheeling trilogy wants to have its post-credits scene cake and eat it, too. No more! We’re full up!