‘Disclaimer’ Star Leila George on the Finale’s Shattering Reveal: ‘Your Body Does Physically Run Out of Emotion’
George, who plays the younger version of Cate Blanchett’s traumatized character, tells IndieWire about filming the devastating finale of Apple TV+’s operatic Alfonso Cuarón series.
Sean Baker Says the Fight for Theatrical Before Streaming Is Now a Permanent Battle
During his keynote address at IndieWire’s inaugural Future of Filmmaking summit, Baker made the case that exclusive theatrical release windows are a necessary component of a thriving film industry.
Demi Moore Talks Timeliness of ‘The Substance’: ‘There’s a Lot of Fear in America Around the Body’
Celebrating the French premiere of the film and receiving a career tribute in the process, Moore expressed her desire to keep pushing the envelope when it comes to investigating taboo topics.
Jude Law Flaunts His Britishness, Calling the Criterion Closet a ‘Cupboard’
Honoring one of his early roles in “The Talented Mr. Ripley,” one of Law’s selections includes an earlier adaptation of Patricia Highsmith’s novel, “Purple Noon.”
‘Candyman’ Star Tony Todd, Known for His Deep, Commanding Voice and Presence, Dead at 69
Todd was considered a horror legend for his work in the “Candyman” and “Final Destination” franchises and garnered a strong following related to his video game voiceovers and “Star Trek” role.
The Best Films Playing in New York and Los Angeles Repertory Theaters During November 2024
In addition to these major metropolises, IndieWire also highlights a struggling revival house in Seattle, Washington looking to raise funds for a new location.
‘The Summer Book’ Review: Glenn Close Shines in a Gentle, Mossy Take on a Finnish Literary Classic
As an octogenarian grandmother, Close is vital in locating the contrast between belonging and independence in Charlie McDowell’s peaceable adaptation.
‘Venom: The Last Dance’ Falls Short, But Look at ‘Conclave’ and ‘Anora’ Soar
Though not remotely “Joker”-bad, the third “Venom” adds to theaters’ worries.
