Watch Andrew Garfield Visit the Criterion Closet, Which He Compared to ‘Sensory Deprivation Pods’
Some of Garfield’s selections include works from British filmmakers Mike Leigh and Ken Loach, as well as the Japanese ramen comedy “Tampopo,” which his father tried to introduce him to at a young age.
‘The Franchise’ Is So Meta That Background Actors Got Mistaken for Crew Members
Crowd Second Assistant Director Adam Foster tells IndieWire about paying tribute to actual film and TV crew in casting the HBO series.
‘Wallace & Gromit: Vengeance Most Fowl’ Review: Britain’s Most Beloved Stop-Motion Characters Return to Battle an Old Foe
AFI Fest: Feathers McGraw seeks revenge against Wallace and Gromit in their second feature-length film, which hails from co-directors Nick Park and Merlin Crossingham.
California Introduces Proposal to More Than Double Tax Credit Incentives to $750 Million for Film and TV Production
California Governor Gavin Newsom and Los Angeles Mayor Karen Bass unveiled a proposal that would make California competitive with major film hubs like New York and Georgia.
‘Somebody Somewhere’ Review: Season 3 Offers a Ray of Light Among TV’s Dark Days
Hannah Bos and Paul Thureen’s final season makes a sweet, striking case for choosing light over dark, hope over cynicism, and community over greed, whenever humanly possible.
‘The Penguin’ Puts Kinky, Feminist Spin on the Crime Drama as Dr. Rush Goes from Psychiatrist to Sub
Creator Lauren LeFranc on flipping genre conventions: “In crime dramas many men sleep with women and then discard them, and that to me felt relevant for Sofia, she’s going to use Rush.”
‘Rule of Two Walls’ Review: Ukrainian Art Doc Explores Being Human in Times Determined to Rob Us of Humanity
The latest in a flurry of documentaries about Ukrainians making art amid Russia’s invasion, David Gutnik’s film examines humanity’s ability to keep pursuing self-actualization when our lives are threatened.
As ‘Venom: The Last Dance’ Arrives, It’s Time to Let Post-Credits Scenes Take Their Final Bow
Spoilers: The final-ish chapter in the freewheeling trilogy wants to have its post-credits scene cake and eat it, too. No more! We’re full up!
2025 Oscars: Best Documentary Feature Predictions
With several documentary groups releasing their own shortlists, we now can pinpoint which films are ahead in the Best Documentary Feature Oscar race.
‘Disclaimer’ Review: Episode 5 Creates a Little Clarity by Considering Who’s Being Kept Quiet — Spoilers
Kodi Smit-McPhee’s Nicholas has now entered the chat.