Renate Reinsve Was ‘Very Nervous’ to Make Her English-Language Debut with ‘A Different Man’ — Especially While Playing a ‘Sociopath’
The “Worst Person in the World” breakout star embraced the Charlie Kaufman-esque dark comedy, written and directed by Aaron Schimberg, to mark her first project stateside.
Turning Francis Ford Coppola’s Metaphoric Vision of ‘Megalopolis’ Into New Rome and the Titular Utopia
Production designer Bradley Rubin stepped into “Megalopolis” midway to decipher Coppola’s abstract vision. Why is there a giant clock up in the sky? How does Megalon work?
SCAD Savannah Film Festival Reveals Full 2024 Lineup
The festival will close with “Maria,” feature a centerpiece screening of “Better Man,” and host screenings of films from “The Last Showgirl” to “The End.”
‘A Different Man’ Was the Film Everyone at Sundance Wanted to Talk About but Didn’t Know How
Writer/director Aaron Schimberg and actor Adam Pearson discuss how the language surrounding disabilities shouldn’t become a conversation-stopper.
The Best Films Playing in New York and Los Angeles Repertory Theaters During October 2024
It wouldn’t be spooky season without a little blood and gore on the big screen.
Lady Gaga Says She ‘Had Trouble’ Parting Ways with Roles Before ‘Joker: Folie à Deux’: ‘You Fall in Love with the Characters’
The actress added that she is “in a new place” and didn’t embody Harleen “Lee” Quinzel off set.
Joe Locke Says ‘Heartstopper’ Didn’t Really ‘Make Me an Actor’ — But Getting ‘Agatha All Along’ Did
Locke also credits his role in the 2023 Broadway revival of “Sweeney Todd” as shifting his perspective around his own talent and place within his chosen profession.
Ken Leung Thinks ‘Everything is Always Stacked Against’ His Character on ‘Industry’
Ahead of the season finale on Sunday, Leung recently spoke with GQ about the dramatic shift that took place in the penultimate episode.
Terence Winter Wanted His Scrapped Gotham City PD Series to Feel Like Sidney Lumet’s ‘Prince of the City’
Winter went on to say that the show didn’t move forward because Matt Reeves “wasn’t feeling it.”
‘Apartment 7A’ Enhances Its Terror with the Glamour and Horror of Broadway
Director Natalie Erika James tells IndieWire about Julia Garner’s climactic dance, that excruciating audition sequence, and more.