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One of the best things about being at film festivals is that most of the time you never know what is going to happen in the film you’re about to watch. At Cannes, it’s usually the first time the film is ever being shown to an audience. Walking into these films without any expectations or any idea what we’re all in for can result in some of the most wildly exhilarating experiences when you encounter a truly ambitious, unexpected, one-of-a-kind creation. That’s the case with Emilia Perez from French filmmaker Jacques Audiard. I shouldn’t be surprised, however, considering my love for Audiard’s films goes back all the way to my very first visit to Cannes in 2009 – Un Prophet (A Prophet) is still one of my all-time favorite Cannes films. 15 years later and Audiard has totally blown me away again with Emilia Perez, a full-on Broadway-esque musical about Mexican society and a Mexican cartel kingpin who changes sex and reinvents herself. I did not think we’d see a more ambitious film than Megalopolis at Cannes 2024, but here we are with Emilia Perez. Incredible. // Continue Reading ›
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