Editorial Roster & Pipeline
The Team Behind the Cut
ClydeVision Films operates a tiered editorial structure — senior lead editor supported by department specialists in color, audio, and QC compliance. Every project is supervised from assembly cut through slate delivery by the same lead, ensuring narrative continuity and editorial consistency across the full post-production arc.
Editorial Structure
Tiered Editorial Team
Senior Lead Editor
Editorial Supervision & Narrative Pacing
The senior lead editor oversees every project from dailies intake through picture lock. Responsible for assembly cut structure, dialogue rhythm, narrative pacing decisions, and director collaboration throughout the rough cut revision cycle. All editorial approvals route through this role before any downstream department work begins.
Colorist & DaVinci Pipeline Lead
Color Grading & HDR Deliverables
Executes primary and secondary color correction within the DaVinci Resolve pipeline from the picture-locked cut. Responsible for LUT development, HDR and SDR simultaneous deliverable preparation, and color consistency across multi-episode or multi-film slate projects.
Audio Finishing Specialist
Dialogue Cleanup & Broadcast-Compliant Mix
Handles dialogue cleanup, ADR integration, music and effects balancing, and loudness normalization to platform specification. Delivers M&E stems for international distribution and ensures every mix passes broadcast and streaming loudness compliance before mastering begins.
QC & Mastering Technician
DCP Mastering & Technical QC Compliance
Produces the final deliverable package — DCP for theatrical and festival submission, streaming-platform ingest files, closed captions, and the technical QC audit report. No file is released without a passing QC report signed off by this role.
Cloud Post-Production Infrastructure
10Gbps Pipeline. Secure. Redundant. Remote-Ready.
Our post-production infrastructure is built for distributed collaboration — high-bandwidth media transfer, encrypted project vaults, and redundant cloud storage ensure your raw camera originals and work-in-progress files are protected at every stage of the pipeline.
10Gbps Media Transfer
High-bandwidth ingest and delivery via Aspera or secure SFTP. Camera originals are checksummed on receipt and verified against source before editorial work begins.
Encrypted Project Vaults
All work-in-progress media, project files, and deliverables are stored in AES-256 encrypted vaults with role-based access control. Client review links are time-limited and watermarked.
Redundant Cloud Storage
Three-location redundant storage architecture — primary NAS, off-site cloud mirror, and cold archive — ensures zero single-point-of-failure risk across the full post-production arc.
Remote Collaboration Ready
Frame.io integration for director and producer review at any stage. Proxy-quality review files are generated automatically from camera originals; no raw media is ever shared externally.
Ready to Bring Your Project to Our Pipeline?
Submit your project details and our senior lead editor will review your camera format, current stage, and target deadline to confirm scope and timeline.
Submit Your Project